I heartily commend the decision to lavish funds upon a franchise that has sustained itself for some time on modest budgets.
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Max expresses his affections as any lovelorn fellow might, ensuring that he and his beloved are regularly forced into uncomfortably close confines and carving her name rather skillfully into his arm.
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The entire production was filmed on a “smart” telephone, a model that I understand is quite popular.
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Like so many Full Moon movies, it projects the scrappy charm of a young schoolboy who has hastily assembled his big presentation only the night before it was due.
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Not content with mere chains and hooks, they treat their victims to interrogation, regurgitation, evisceration and non-consensual licking.
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The colors are lush, the interiors are ornate and the relationships are unhealthy.
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I am heartened to see someone slapping together a little latex and puppetry amid the computer generated swarm.
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The languid approach leaves one ample time to admire the work of the film’s true star, special effects artist Rick Baker.
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You may think me a doddering “coot” bemoaning the eroding morals of young people today but I simply cannot abide by meat thieving, attempted livestock appropriation or murder by shoving.
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I can't help but exclaim by breathless wonder at its contents, for Prometheus is certainly the most impressive and comprehensive trailer I have ever seen.
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Ms. Dourif is no mere child parading around in her father’s garb while he’s off at work.
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Most murders would be thoroughly stymied by being dead and might give up on the whole enterprise entirely -- but not our Patrick!
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I am honored that you are here join us for this joyous occasion, that first thrilling leap into the digital void, boldly declaring to the countless screen-dedicated masses, “Hello! I am also here!”
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