MOSTMORTEM
Purveyors and assayers of fine horror!
Purveyors and assayers of fine horror!
Mostmortem has been lovingly producing original horror films since the year 2018. Misguided was given an award by the venerable Joe Bob Briggs and Bells was featured at the 50th Nashville Film Festival. We are currently producing Lowtooth, our first feature.
Earl’s preferred method of monster disposal reduces most lifeforms to a sort of soupy mess.
The blooming non-consensual romance is interrupted by a swarm of decidedly deadly ichthyological specimens.
The creature’s somewhat gawky manner and mechanical articulation could be a completely accurate representation of an otherworldly being.
The creature’s scant screen time is not so much a product of inadequate funding but rather reflection of the fact that mankind is the film’s most arresting villain.
A feature devoted to a comparatively ordinary monstrosity is quite the curiosity in our present day and age.
If more films were as suitable and culturally enriching for youngsters as this, I would have had a sizable brood of my own by now.
Director Chester Novell Turner's style positively erases the distinction between the amateur and the avant-garde.
A few awkward misunderstandings about boundaries and sharp implements cause Andy to sever his relationship with Chucky.
The film’s level of self-awareness indicates that director Fred Olen Ray is gazing not only at breasts but also at himself.
Some might find Munchies to be nothing more than a shameless Gremlins imitation but I would argue that it fills a a yawning void in in contemporary cinema -- namely, that there are only two Gremlins movies.
“Fred Olen Ray’s level of self-awareness adds a profound dimension to what might sometimes seem a lecherous lark, announcing that Mr. Ray is gazing not only at breasts but also at himself. ”
- EVIL TOONS (1992)
While a shuddering pile of homogenous flesh may not seem appetizing to most, it is apparently fairly toothsome for manmade mutants.
The Bryers decide there could be little harm in adopting an extraterrestrial infant and acting as though it is their own offspring.
Horses may revolt, trains have been known to derail and spacecrafts can turn into evil advocates of ocular mutilation.
Transformations is a powerful testament to how sincere devotion and access to a flamethrower can conquer any strain of evil.
Jason Momoa, typically known for playing various brooding musclemen, is a merry sight as as an upbeat slasher villain.
I can't help but exclaim by breathless wonder at its contents, for Prometheus is certainly the most impressive and comprehensive trailer I have ever seen.
Dr. Storm employs cackling attendants, brutish motorcycle thugs and stern matrons whose medical credentials seem dubious at best.
One execution is rarely enough to tie things up as neatly as one might like and Don finds his deeply repressed anger suddenly popping out here and there.
When it comes to playing madmen or the people who treat them, Alone In The Dark has a trio that simply cannot be beat.
Even while avoiding “Emergo,” “Perceptio,” “Illusion-O,” and other “O” bearing innovations of his own creation, William Castle is still unable to deny his roots entirely.
The entire production was filmed on a “smart” telephone, a model that I understand is quite popular.
Any moviegoer saddened by the slow erosion of Nicolas Cage’s mania will have much cause for celebration.
“I thought I’d had a significant break with reality after I witnessed a bodiless child head descend from the ceiling on gossamer threads, whispering softly of keys and doors and unnamable things that slumbered beneath our floorboards. But then my dear Penny Dee assured me that she had seen it too and my fears were laid to rest.”
- UNSANE (2018)
Herbert does not brood excessively when his research produces exploding eyeballs or sanguinary salivation.
The neighbor’s culinary efforts might leave a seat or two empty at someone else’s dinner table.
This particular batch of the undead are sensitive to clamor of any kind and Sam lives a primarily inaudible existence.
ViewCon gathers internet celebrities who have turned their vanity and self-obsession into an occupation.
The whole business of fiction and reality gets considerably blurry and it’s hard for a regular Johnnie to know what’s what.
Sewing their mouths shut should have silenced the girls to everyone’s satisfaction but the young Mr. Green decided to really cement the whole business by murdering them as well.
At times, it makes films with less likable murder victims seem hardly worth the trouble.
Any viewer wondering if mankind is truly more terrifying when compared with a red-eyed wraith or the very devil himself need only consult this handy film.
I am met with an unprofessional swell of pleasant associations whenever I glimpse the Dark Castle Entertainment logo.
“For some reason, the creative forces behind Debug were unable to secure the latest in computer-generated graphics but even this ostensible shortcoming is a strong reminder, as is all of the film, that technology does not always bend entirely to our will. ”
- DEBUG (2014)
Meg discovers secret rooms, Rosicrucianistic soul murals and sacrificial altars -- all the stuff one is bound to find when no one has done any tidying up.
Don decides that being unfaithful to his pregnant wife just the once was perfectly satisfactory.
The hoodlums quickly establish themselves as terrible houseguests and even worse hostage custodians.
Detective McCarthy was hardly a portrait of mental stability before his worst adversary transformed into an arc of evil electricity.
Life at home becomes a real challenge once the house starts presenting all manner of reasons to flee, from resurrected pets to resurrected patriarchs.
I dare say I have not seen a more capable set of thespians cross that notorious threshold since the original.
A lesser production might have filled its villain’s buckled shoes with any willing person of diminutive stature.
The audience is treated to spheres in eyeballs, spheres for eyeballs, brains in spheres and, marvel of marvels, golden spheres.
Laurie Strode has transformed, almost butterfly-like, from a traumatized teenager into a fully functional alcoholic.
Noted fornication opponent Jason Vorhees resumes the sort of violent behavior that powered the franchise through six previous chapters.
I heartily commend the decision to lavish funds upon a franchise that has sustained itself for some time on modest budgets.
Not content with mere chains and hooks, they treat their victims to interrogation, regurgitation, evisceration and non-consensual licking.
A solid reminder that, despite a surreal resurgence of their appeal among fringe political elements, the Nazis really had a number of bad ideas.