Monte Hellman is not the first subversive artist to be attracted to the coveted Christmas slasher sequel sub-genre.
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A solid reminder that, despite a surreal resurgence of their appeal among fringe political elements, the Nazis really had a number of bad ideas.
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It is time for me to concede that the pumpkins on our porch sailed past ripeness some time ago and that we must clear our multitude of tributes to Samhain to make way for the coming of Krampus.
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